In an effort to stretch the conventions of image-making outside the flat pictorial plane, I employ the operations of sculpture into the field of photography. In search of a material line of connection, I found a shared reliance on metals can act as common ground between disciplines, and assist in collapsing the distance between their expanded fields. Maintaining the logic of image making, whilst speaking the language of sculpture, these blended outcomes have come to be known as ‘image-objects.’