I recorded my body’s gestures via iPhone time-lapse, creating blurred visual data. I superimposed images of three surveilled movements, processed the digital file into a 3D model, then cast it in aluminium and polyepoxide via silicone moulds. The work is framed with hand-sewn fabric and image transfers. It explores the surveilled, mediated body, blending topographic language with the aesthetics of surveillance, cartography, and CCTV.