This self-portrait records my body’s gestures via iPhone time-lapse, capturing blurred visual data. I superimposed images of three surveilled movements, processed that digital file into a topographic 3D model, then cast it in aluminium and polyepoxide via moulds. The work has an eyelet perforated hand-sewn fabric frame stained with image transfers. I explore the mediated body, synthesising cartographic visual language, physical materialisation and the aesthetics of surveillance, and CCTV.